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More recently, Meyer has been involved as a writer on the new Star Trek series for CBS All Access, Star Trek Discovery. But according to two separate sources, Meyer is moving on from that position for a new Star Trek project, something he has hinted at in recent interviews. According to the sources, Meyer’s new project takes him back to Khan Noonien Singh, the “genetically superior” villain played by Ricardo Montalban in the original series episode “Space Seed” and in The Wrath of Khan, and by Benedict Cumberbatch in the J.J. Abrams-helmed Star Trek Into Darkness. Meyer will reportedly be developing a prequel miniseries, or limited series that would take place on Ceti Alpha V and chronicle Khan and his followers struggling to survive in the years between when Kirk dropped him off on the planet at the end of “Space Seed” and when the crew of the U.S.S. Reliant finds them early in The Wrath of Khan. Quelle: http://www.geekexchange.com/...ed-series/
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Alex Kurtzman: “[Showrunner] Bryan [Fuller] and I were looking to bring something new, and to justify being on a premium cable service, we knew it had to be huge in emotion and character,” Kurtzman said. “And to build this world, there was an airdate looming, and we couldn’t compromise the show for the sake of a date. We went into Les Moonves’ office and figured the worst we could do is compromise the show to meet an airdate.” In response to a reporter’s question that Fuller’s departure triggered two production delays, Kurtzman said: “The delay only happened once. This show is massive. We won’t be able to build these sets in time; Bryan’s transition make us think, ‘What are we going to do with our time?'” He added: “I’m a tremendous fan of Bryan’s and we worked on the story. And when he decided that the balancing act of American Gods and Star Trek would compromise both shows, we set about to protect his vision.” EP Aaron Harberts seconded that motion: After Fuller exited in late October, his fingerprints on Star Trek: Discovery remained. “One of things that he wanted to do was shake up the design of the Klingons … that they wouldn’t be the thugs of the universe, that they’d be sexy and vital and different.” Harberts continued, “There were discussions that got deep into their biology and sculpture.” EP Akiva Goldsman mentioned that the timeline for this canon will not occur during the “J.J. or the Kurtzman”-verse but in an area where familiar Star Trek characters will intersect. He also said that this Star Trek is “the most serialized version” that has ever existed, it’s “longform character story telling.” Even more than Deep Space Nine. Goldsman said the new series is set pre-TOS. “It’s a time of war and we’re trying to find out who we are as a federation and a collection of people in the face of adversity,” said the Oscar-winning scribe. The lead character Michael Burnham played by Sonequa Martin-Green is Sarek’s foster daughter. For you non-Trekkies, Sarek is Spock’s father. Being a human raised by a Vulcan will impact Michael throughout the series, in fact it will play into some major decisions she makes at the onset of the series. Why does she have a man’s name: It’s just part of Fuller’s iconoclastic style. Kurtzman also played a clip from Jeff Russo score with a 60-piece orchestra, in case you were wondering how big this show is on a production scale. Quelle: http://deadline.com/...202139794/
https://www.youtube.com/watch?v=UPUqUsUnJOU
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https://www.youtube.com/watch?v=6Zc8Co2H3w
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SPON greift die aktuelle Discovery vs. Orville-Diskussion auf. Vielleicht ganz interessant: http://www.spiegel.de/...72751.html
TFA war ganz klar ein Klon-Produkt ohne jegliche Eigenständigkeit, um auf Nummer sicher zu gehen. Was ich dagegen von The Orville gesehen habe, rangiert mehr im Bereich Hommage, also eher so im Spannungsfeld zwischen TNG und Galaxy Quest. Da sehe ich schon einen deutlichen Unterschied.