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#21 18.04.2008, 19:06
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DAVID KOEPP (Screenplay by) has written and directed the films “Secret Window,” “Stir of Echoes,” “The Trigger Effect,” “Suspicious” and the upcoming DreamWorks comedy “Ghost Town.” He wrote or co-wrote “War of the Worlds,” “Zathura,” “Spider-Man,” “Panic Room,” “Snake Eyes,” “The Lost World: Jurassic Park,” “Mission: Impossible,” “The Paper,” “Jurassic Park,” “Carlito’s Way,” “Death Becomes Her,” “Bad Influence” and “Apartment Zero.”
Koepp was born in Wisconsin and went to film school at UCLA. He lives in New York City.

GEORGE LUCAS’s (Story by/Based on Characters by/Executive Producer) devotion to timeless storytelling and cutting-edge innovation has resulted in some of the most successful and beloved films of all time.
Lucas’s film career started in 1971. With San Francisco-based American Zoetrope and long-time friend Francis Ford Coppola as executive producer, Lucas transformed an award-winning student film into his first feature, “THX 1138.”
Lucas’s second feature film, the low-budget “American Graffiti” (1973), became the most successful film of its time and garnered the Golden Globe®, the New York Film Critics’ and National Society of Film Critics’ Awards. Pushing the boundaries of storytelling, “American Graffiti” was the first film of its kind to tell multiple stories through interweaving narratives backed by a soundtrack of contemporary music.
It was Lucas’s third film, 1977’s “Star Wars,” that changed everything — breaking box office records, setting new standards for sophistication in film visuals and sound and garnering eight Academy Awards®. The success of “Star Wars” allowed Lucas to remain independent and continue operating in Marin County, CA. Lucas has been the story writer and executive producer of a series of other box office blockbusters, beginning with the continuation of the “Star Wars” Saga: “The Empire Strikes Back” (1980) and “Return of the Jedi” (1983). In 1981, he created the classic adventurer Indiana Jones, and co-wrote and executive-produced the successful series consisting of “Raiders of the Lost Ark” (1981), “Indiana Jones and the Temple of Doom” (1984) and “Indiana Jones and the Last Crusade” (1989), a trilogy that won eight Academy Awards®.
Lucas has also served as executive producer on such widely varied films as “Willow,” based on his original story and directed by Ron Howard; and “Tucker: The Man and His Dream” directed by Francis Ford Coppola. Each received three Academy Award® nominations. As executive producer, Lucas’s films also include Akira Kurosawa’s “Kagemusha” (1980); “Mishima” (1985); “Latino” (1985); “Howard the Duck” (1986); “Labyrinth” (1986); and “Radioland Murders” (1994).
In the early 1990s, his passion for both history and educating young people drove the creation of “The Adventures of Young Indiana Jones” and its rich combination of exciting episodes and companion documentaries. During its original television run in the 1990s, the series was critically acclaimed and won 12 Emmy Awards® and 26 Emmy nominations.
Lucas returned to directing in 1999 with the first of three new episodes of the “Star Wars” Saga: “Star Wars: Episode I — The Phantom Menace,” the year’s biggest box office hit, which was also the first major live-action film to be projected digitally. Three years later, “Episode II — Attack of the Clones” broke new ground as the first major movie shot using entirely digital media. In 2005, “Star Wars: Episode III —Revenge of the Sith,” the final movie in the epic saga, was the top-grossing film worldwide.
Lucas is currently supervising the creation of “Star Wars: The Clone Wars,” which premieres as an all-new feature film on August 15, followed by the television series debut in the fall. “Star Wars: The Clone Wars” takes audiences on incredible new “Star Wars” adventures, combining Lucasfilm’s traditions of storytelling and quality with a signature animation style.
Lucas has also taken a leadership role in applying his technical and storytelling expertise to the classroom, engaging students through interactive multimedia environments. He is chairman of the board of the George Lucas Educational Foundation and also serves on the board of the Film Foundation and is a member of the USC School of Cinematic Arts Advisory Board.
Chris
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#22 18.04.2008, 19:06
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    JEFF NATHANSON (Story by) has two previous collaborations with Steven Spielberg, ”The Terminal” and ”Catch Me If You Can,” for which he earned a BAFTA Award nomination for Best Original Screenplay. In 2007, his production company, Invisible Ink Entertainment, signed a first-look deal at DreamWorks SKG.
His other recent film credits include ”Rush Hour 3,” ”The Last Shot,” which he also directed, and “Rush Hour 2.” He is currently writing the biopic “Milli Vanilli” for producer Kathleen Kennedy.
Nathanson graduated from the University of California at Los Angeles before entering the American Film Institute's screenwriting program in 1989. He lives in Los Angeles with his wife and three children.

“Raiders of the Lost Ark” marked the beginning of FRANK MARSHALL’s (Producer) epochal collaboration with Steven Spielberg, George Lucas and Kathleen Kennedy, a partnership that encompasses “Indiana Jones and the Temple of Doom,” “Indiana Jones and the Last Crusade” and, now, “Indiana Jones and the Kingdom of the Crystal Skull.”
With over 50 films to his credit, as a visionary producer who has helped shape American film, Marshall is also an acclaimed director and active participant in public service and sports. Marshall’s credits as a producer include some of the most successful and enduring films of all time, including “Poltergeist,” “Gremlins,” “The Goonies,” “The Color Purple,” “An American Tail,” “Empire of the Sun,” “Who Framed Roger Rabbit,” “The Land Before Time,” the “Back to the Future” trilogy, “The Sixth Sense,” “Seabiscuit” and the recent “Bourne” trilogy.
His films have been nominated for a multitude of Academy Awards®, including Best Picture nominees “Raiders of the Lost Ark” in 1982; “The Color Purple” in 1985 (which he produced with Spielberg, Quincy Jones and his wife Kathleen Kennedy); M. Night Shyamalan’s 1999 box office smash “The Sixth Sense”; and the critically acclaimed “Seabiscuit.”
As a director, Marshall recently helmed the critically acclaimed box office smash “Eight Below,” as well as the thriller “Arachnophobia,” the compelling true-life drama “Alive,” the 1995 hit adventure “Congo” and an episode of the Emmy Award-winning HBO miniseries “From the Earth to the Moon.”
Marshall began his motion picture career as assistant to Peter Bogdanovich on the director’s cult classic “Targets.” He was then asked by Bogdanovich to serve as location manager for “The Last Picture Show” and “What’s Up, Doc?” before graduating to associate producer on the filmmaker’s next five movies, which included “Paper Moon” and “Nickelodeon.”
Marshall was line producer on Martin Scorsese’s “The Last Waltz,” the heralded musical documentary on The Band. He then began a two-film association with director Walter Hill, first as associate producer on “The Driver,” then as executive producer on “The Warriors,” both of which have also attained cult status among cineastes. Marshall was also line producer of Orson Welles’ legendary unfinished film “The Other Side of the Wind,” to which he periodically returned from 1971 through 1976.
His lengthy and fruitful collaboration with Spielberg and Kennedy began in 1981 with “Raiders of the Lost Ark.” Following the productions of “E.T.: the Extra-Terrestrial” (for which he was production supervisor) and “Poltergeist” in 1981, the trio formed industry powerhouse Amblin Entertainment. During his tenure at Amblin, Marshall produced such films as Kevin Reynolds’ “Fandango,” Barry Levinson’s “Young Sherlock Holmes,” Joe Dante’s “Gremlins,” Robert Zemeckis’s “Back to the Future” trilogy and “Who Framed Roger Rabbit” and Spielberg’s “Always,” “Hook” and “Empire of the Sun,” as well as his own directorial debut, “Arachnophobia.”
Marshall left Amblin in the fall of 1991 to pursue his directing career, and formed the Kennedy/Marshall Company with Kathleen Kennedy. The company’s productions include such diverse films as “The Indian in the Cupboard,” directed by Frank Oz; “The Spiderwick Chronicles,” based on the popular series of children’s book about the unseen world of magical creatures that exist all around us; “Snow Falling on Cedars,” directed by Scott Hicks; “A Map of the World” starring Sigourney Weaver and Julianne Moore; “The Sixth Sense” starring Bruce Willis and Haley Joel Osment; “Olympic Glory,” the first official large format film of the Olympic Games; Shyamalan’s “Signs”; “Seabiscuit,” the dramatic true story based on Laura Hillenbrand’s best-selling book, directed by Gary Ross; and the three blockbuster films in the “Bourne” franchise starring Matt Damon in the title role — “The Bourne Identity” directed by Doug Liman, “The Bourne Supremacy” and last year’s “The Bourne Ultimatum,” both directed by Paul Greengrass; “The Diving Bell and the Butterfly,” an adaptation of Jean-Dominique Bauby’s moving memoir, directed by critically-acclaimed artist and filmmaker Julian Schnabel and written by Oscar®-winner Ronald Harwood, for which Schnabel was awarded the prize for best director at this year’s Cannes Film Festival and an Oscar® nomination for best director, which was among four nominations the film received; the English-language version of the French animated film “Persepolis,” which is based on Marjane Satrapi’s autobiographical graphic novel about a young girl growing up during the Iranian Revolution, which tied for this year’s Jury Prize at Cannes and picked up an Oscar® nomination for Best Animated Feature Film; and “Crossing Over,” directed by Wayne Kramer. Another recent release is “Roving Mars,” the IMAX documentary about the exploration of the red planet, which he produced with director George Butler.
Upcoming releases from the Kennedy/Marshall Company include “The Curious Case of Benjamin Button,” an epic romance directed by David Fincher, written by Oscar® winner Eric Roth and starring Brad Pitt and Cate Blanchett. An L.A. native and son of composer Jack Marshall, Marshall ran cross-country and track while a student at UCLA, and was a three-year Varsity letterman in soccer. Combining his passion for music and sports, he, along with America’s premiere miler Steve Scott, founded the Rock ‘N’ Roll Marathon, which debuted in 1998 in San Diego as the largest first-time marathon in history.
For over a decade, Marshall was a board member of the United States Olympic Committee and is the 2005 recipient of the prestigious Olympic Shield, awarded in recognition of his outstanding contribution to the USOC organization. Currently, he is on the board of the Los Angeles Sports Council, Athletes for Hope and The Governor’s Council on Physical Fitness, as well as Co-Chairman of Mentor LA and a member of the UCLA Foundation Board of Governors. He is a recipient of the acclaimed American Academy of Achievement Award, the UCLA Alumni Professional Achievement Award and the California Mentor Initiative’s Leadership Award. He and Kennedy are the recipients of the 2008 Producers Guild of America’s David O. Selznick Award for Career Achievement.
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#23 18.04.2008, 19:06
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One of the most successful executives in the film industry today, who includes among her credits three of the highest-grossing films in motion picture history (“E.T.: The Extra-Terrestrial,” “Jurassic Park” and “The Sixth Sense”), KATHLEEN KENNEDY (Executive Producer) counts “Raiders of the Lost Ark” as one of her early credits, when she worked as an associate producer with director Steven Spielberg and producer George Lucas. Her relationship with the legendary series continued through “Indiana Jones and the Temple of Doom,” which she produced with Frank Marshall and George Lucas and, most recently, as executive producer, with Lucas, of “Indiana Jones and the Kingdom of the Crystal Skull,” produced by Frank Marshall.
Kennedy currently heads The Kennedy/Marshall Company, which she founded in 1992 alongside director/producer Frank Marshall. Under their banner, she has produced such films as “Congo,” “The Indian in the Cupboard,” “Snow Falling on Cedars,” “A Map of the World,” “The Sixth Sense” and “Seabiscuit.”
Kennedy began a successful association with Spielberg when she served as his production assistant on “1941.” In addition to “Raiders of the Lost Ark,” she went on to become his associate producer on “Poltergeist” and producer on “E.T.” While “E.T.” was becoming an international phenomenon, Spielberg, Kennedy and Marshall were already in production on “Indiana Jones and the Temple of Doom.”
In 1982, Kennedy co-founded Amblin Entertainment with Spielberg and Marshall, for which she produced or executive-produced such films as “Hook,” “Always,” “Gremlins,” “Gremlins 2: The New Batch,” “An American Tail,” “The Land Before Time,” “Young Sherlock Holmes,” “The Goonies,” “Innerspace,” “The Money Pit,” “*batteries not included,” “Dad,” “The Flintstones,” “Joe Versus the Volcano,” “Noises Off,” “An American Tail: Fievel Goes West,” “Cape Fear,” “Poltergeist III” and “Arachnophobia,” Frank Marshall’s directorial debut in 1990.
Kennedy also teamed with Spielberg, Marshall and Quincy Jones to produce “The Color Purple,” which earned eleven Academy Award® nominations in 1985, including Best Picture. Later that same year, Kennedy, Spielberg and Marshall produced 1985’s highest-grossing film, “Back to the Future,” and later produced its two highly successful sequels, “Back to the Future, Part II” and “Back to the Future, Part III.”
In 1988, Kennedy again earned the distinction of having produced the top-grossing film of the year for “Who Framed Roger Rabbit,” which she produced with Marshall and Robert Watts. She then went on to produce “Empire of the Sun,” with Spielberg and Marshall, which the National Board of Review named Best Picture of the Year.
Kennedy served as executive producer on the critically acclaimed Spielberg-directed Holocaust drama “Schindler’s List,” which garnered seven Academy Awards® in 1993, including Best Director and Best Picture. That same year she also re-teamed with Robert Watts to produce Marshall’s second film, “Alive.”
In 1995, Kennedy produced the Amblin Entertainment/Malpaso Production “The Bridges of Madison County,” directed by Clint Eastwood. It was followed by Amblin Entertainment’s Jan DeBont-directed action thriller “Twister,” which Kennedy produced with Ian Bryce in 1996. Kennedy also served as executive producer on the Spielberg-directed “Jurassic Park” sequel “The Lost World.”
In 1999 and 2000, three films produced by The Kennedy/Marshall Company were released. The first, Universal’s “Snow Falling on Cedars,” was directed by Scott Hicks, award-winning director of “Shine.” It was followed by “The Sixth Sense,” which starred Bruce Willis and received six Academy Award® nominations, including Best Picture. The next release was “A Map of the World” starring Sigourney Weaver and Julianne Moore. The Kennedy/Marshall Company also produced the IMAX film “Olympic Glory,” which was released in May 2000.
In 2001, Kennedy produced the Spielberg-directed “A.I.: Artificial Intelligence” with Bonnie Curtis. That same year, she produced “Jurassic Park III” with Spielberg and Gerald Molen. In 2002, she served as executive producer on M. Night Shyamalan’s “Signs,” starring Mel Gibson. In 2003, Kennedy produced (along with Marshall, Gary Ross and Jane Sindell) the critical and popular hit “Seabiscuit,” which was nominated for seven Academy Awards® and proved to be the biggest-selling drama on DVD for the year.
In 2005, Kennedy and Colin Wilson produced “War of the Worlds,” which was directed by Spielberg and starred Tom Cruise. Later that year, Kennedy re-teamed with Wilson, Barry Mendel and Spielberg to produce the Spielberg-helmed “Munich,” which received five Academy Award® nominations, including Best Picture. In 2007, she produced “The Diving Bell and the Butterfly,” an adaptation of Jean-Dominique Bauby’s moving memoir directed by critically acclaimed artist and filmmaker Julian Schnabel and written by Oscar®-winner Ronald Harwood, for which Schnabel was awarded the prize for best director at this year’s Cannes Film Festival and received an Oscar® nomination for Best Director, along with another for Harwood’s screenplay, one for editing and a fourth for cinematography; and the English-language version of the French animated film “Persepolis,” which is based on Marjane Satrapi’s autobiographical graphic novel about a young girl growing up during the Iranian Revolution. The latter film tied for last year’s Jury Prize at Cannes and was nominated for an Academy Award® for Best Animated Feature Film.
Kennedy recently produced “The Spiderwick Chronicles,” based on the popular series of children’s book about the unseen world of fairies that exist all around us, and “The Curious Case of Benjamin Button,” an epic romance directed by David Fincher, written by Oscar®-winner Eric Roth and starring Brad Pitt and Cate Blanchett, due for release later this year. Upcoming, Kennedy will produce “Tintin,” a series of motion pictures directed by Spielberg and Peter Jackson. The two acclaimed filmmakers will use state-of-the-art performance capture technology to bring Tintin, the iconic character created by Georges Remi (better known to the world by his pen name “Herge”) to the screen.
Kennedy is chair of the Academy of Motion Pictures’ Producers Branch Executive Committee and is a member of the Academy’s Board of Governors. She recently completed her tenure as President of the Producers Guild of America, which bestowed upon her its highest honor, the Charles Fitzsimons Service Award, in 2006. She and Marshall are the recipients of the 2008 Producers Guild of America’s David O. Selznick Award for Career Achievement.
Chris
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#24 18.04.2008, 19:07
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JANUSZ KAMINSKI (Director of Photography), a two-time Academy Award® winner, took home his first Oscar® for his black-and-white cinematography on Steven Spielberg's “Schindler's List.” For his work on that film, Kaminski was also honored with a BAFTA Award and numerous critics’ awards, including the Los Angeles and New York Film Critics Awards for Best Cinematography. He won his second Academy Award® for his work on Spielberg's World War II drama “Saving Private Ryan.” In addition, Kaminski received his third Best Cinematography Oscar® nomination for Spielberg's “Amistad” and a fourth in 2007 for Julian Schnabel’s “The Diving Bell and the Butterfly,” for which he won the Best Cinematography Award at the 2007 Cannes Film Festival.
Kaminski more recently collaborated with Spielberg on the '60s-era dramatic comedy “Catch Me If You Can,” the futuristic thriller “Minority Report,” “The Terminal” and the politically charged “Munich.” He also served as the director of photography on the Spielberg-directed films “A.I.: Artificial Intelligence” and “The Lost World: Jurassic Park.” Kaminski's other film credits as the director of photography include “The Adventures of Huck Finn,” “How To Make An American Quilt,” Cameron Crowe’s “Jerry Maguire” and Kathryn Bigelow’s “Mission Zero.” A native of Poland, Kaminski came to the United States in 1981. He studied cinematography at Columbia College in Chicago, receiving his B.A. in 1987. After graduating, he relocated to Los Angeles to become a cinematography fellow at the prestigious American Film Institute, and began his professional career on the feature “Fallen Angel.” He also lensed two television projects: the Amblin production “Class of '61” and the acclaimed cable movie “Wildflower,” directed by Diane Keaton. In 2000, Kaminski made his feature film directorial debut with the thriller “Lost Souls,” starring Winona Ryder, Ben Chaplin and John Hurt. He has since also directed the Polish drama “Hania.”

”Indiana Jones and the Kingdom of the Crystal Skull” marks GUY HENDRIX DYAS’s (Production Designer) first film with director Steven Spielberg and first production design assignment for George Lucas, for whom Dyas worked while serving as an art director at Industrial Light & Magic (ILM).
Dyas began his career in Tokyo working as an industrial designer for Sony, and he moved to Japan after graduating from the Royal College of Art in London with a Masters Degree in Industrial Design.
In 1994, an invitation from ILM to join its creative team introduced Dyas to the film industry in California and he served as a visual effects art director on “Twister.” Dyas then worked as a concept artist on such films as “King Arthur,” Tim Burton's “Planet of the Apes,” “The Matrix Reloaded,” “Vanilla Sky” and “Pearl Harbor,” and he was an assistant art director on “Swordfish” and “The Cell.”
In 2003, Dyas was given the opportunity to execute the production design for Bryan Singer’s “X2: X-Men United” and, since then, Singer and Dyas have collaborated on various projects, most recently “Superman Returns,” for which he was nominated for an Art Directors Guild Award for Achievement in Production Design. Dyas also worked with director Terry Gilliam, designing the sets for “The Brothers Grimm” and, in 2006, he did the production design for the Cate Blanchett-starrer “Elizabeth: The Golden Age,” which brought him a BAFTA nomination and a second nomination from the Art Directors Guild. Dyas is currently working with Oscar®-winning Spanish director Alejandro Amenabar, designing his upcoming film ”Agora,” a 4th Century Roman/Egyptian epic starring Rachel Weisz and Max Minghella.

MICHAEL KAHN, A.C.E. (Editor) also edited the three previous films in the “Indiana Jones” series: “Raiders of The Lost Ark,” “Indiana Jones and the Temple of Doom,” “Indiana Jones and the Last Crusade.”
Kahn has won three Academy Awards® for Best Editing for his work on films directed by Steven Spielberg. He won his first Oscar® in 1982 for the blockbuster “Raiders of the Lost Ark,” and was also honored by his peers with an Eddie Award from the American Cinema Editors. In 1994, he received his second Oscar® for “Schindler's List,” for which he also won a BAFTA Award. His most recent Oscar® came for his work on Spielberg's World War II drama “Saving Private Ryan,” which brought him an additional Eddie Award. In addition, Kahn has garnered Oscar® nominations for his work on Spielberg's “Empire of the Sun” and “Close Encounters of the Third Kind,” as well as Adrian Lyne's “Fatal Attraction,” which also garnered the editor a BAFTA Award.
Kahn has edited nearly all of Steven Spielberg's films, most recently working with the director on “Munich,” “War of the Worlds,” “Catch Me If You Can,” “Minority Report” and “The Terminal.” His other Spielberg collaborations include “A.I.: Artificial Intelligence,” “Amistad” and “Jurassic Park” and its sequel “The Lost World: Jurassic Park,” as well as “Hook,” “Always,” “1941” and “The Color Purple.”
He has also edited a wide range of films for other directors, including “The Haunting,” “Twister,” “Casper,” “Alive,” “Arachnophobia,” “The Goonies,” “Poltergeist,” “The Eyes of Laura Mars” and “Lemony Snicket's A Series of Unfortunate Events.”
A member of American Cinema Editors, Kahn’s editing career goes back to television films such as “Hogan’s Heroes” and “Eleanor and Franklin,” for which he won an Emmy.
Michael Kahn most recently edited Mark Waters’ “The Spiderwick Chronicles,” which was released earlier this year.
Chris
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#25 18.04.2008, 19:07
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    MARY ZOPHRES’ (Costume Designer) award-winning career includes Spielberg films “The Terminal” and “Catch Me If You Can,” for which she received a BAFTA award nomination for Best Costume Design. She has also designed costumes for several Coen brothers films, including “The Ladykillers” with Tom Hanks, “Intolerable Cruelty” with George Clooney and Catherine Zeta-Jones, “The Man Who Wasn’t There” starring Billy Bob Thornton, “O Brother, Where Art Thou?” starring George Clooney, “The Big Lebowski” with Jeff Bridges, and the Academy Award®-winning hits “Fargo” and “No Country for Old Men.”
Zophres has also worked with the Farrelly brothers as costume designer on “There’s Something About Mary,” “Dumb & Dumber” and “Kingpin.” Her other film credits include “Bewitched,” “Moonlight Mile,” ”Ghost World,” “View from the Top,” “Any Given Sunday,” “Paulie,” “Digging to China” and “Playing God.” Her most recent designs have been seen in Joe Carnahan’s “Smokin’ Aces” and Robert Redford’s political drama “Lions for Lambs” with Tom Cruise and Meryl Streep. She recently completed work on the latest Coen brothers’ effort, “Burn After Reading” starring George Clooney, Brad Pitt, Tilda Swinton, Frances McDormand and John Malkovich, which is due for release in the fall.

Thirty-year film veteran DENIS L. STEWART (Co-Producer) previously worked with Steven Spielberg as an assistant director on “Amistad” and as a unit production manager on “Munich.” “Indiana Jones and the Kingdom of the Crystal Skull” marks Stewart’s third film with producer Frank Marshall, after having served as production manager on “Eight Below,” which Marshall directed, “The Bourne Supremacy” and “The Bourne Ultimatum.”
Stewart has been first assistant director on over 20 feature films, including the Jim Carrey comedy “The Mask,” “Speed 2: Cruise Control” and Sydney Pollack’s “Random Hearts,” starring Harrison Ford and Kristin Scott Thomas.
Other credits include, as production manager, “Panic Room,” “Charlie’s Angels: Full Throttle,” “Bewitched” and both “Spider-Man” sequels.

JOHN WILLIAMS (Composer) is one of the most esteemed and prolific film composers of all time and the recipient of numerous honors, including five Academy Awards®, four Golden Globe Awards, seven British Academy Awards, four Emmys and 20 Grammy Awards. He won three of his five Oscars® for his work on the Steven Spielberg films “Jaws,” “E.T. The Extra-Terrestrial” and “Schindler’s List.” His other Academy Awards® came for the unforgettable “Star Wars” score and the screen version of “Fiddler on the Roof.”
Williams returns to the world of Indiana Jones after having composed Oscar®-nominated scores for all three previous films: “Raiders of the Lost Ark,” “Indiana Jones and the Temple of Doom” and “Indiana Jones and the Last Crusade.” Williams has earned a remarkable 45 Oscar® nominations, the most recent coming in 2005 for “Memoirs of a Geisha” and Spielberg’s “Munich.” The year before, he was nominated for “Harry Potter and the Prisoner of Azkaban,” and the year prior to that for Spielberg’s “Catch Me If You Can.” In 2002, Williams received dual nominations for his scores for Spielberg’s “A.I.: Artificial Intelligence” and the blockbuster “Harry Potter and the Sorcerer’s Stone.”
A master of every genre, he has created many of the most familiar themes in movie history, including the Oscar®-nominated scores for “Close Encounters of the Third Kind” and “Superman.” Williams’ other Academy Award® nominations have included Best Original Score nods for “The Patriot,” “Saving Private Ryan,” “Amistad,” “Nixon,” “Sabrina,” “JFK,” “Home Alone,” “Born on the Fourth of July,” “Empire of the Sun,” “The River,” “The Towering Inferno” and “The Poseidon Adventure,” to name just a few.
Williams’ long association with Spielberg began with the director’s first feature “The Sugarland Express” and has encompassed almost all of Spielberg’s films, recently including “War of the Worlds” and “Minority Report.” Williams’ latest film franchise credits include three “Harry Potter” movies and George Lucas’s second “Star Wars” trilogy.
In addition to his feature film work, Williams has created themes and fanfares for several Olympic Games, and also wrote an orchestral work to accompany Spielberg’s film tribute to the new millennium, “American Journey.” He has also composed numerous concert pieces, including two symphonies, and a cello concerto premiered by Yo-Yo Ma and the Boston Symphony Orchestra in 1994, as well as concertos for flute, tuba, violin, clarinet, bassoon, horn and trumpet. Williams was also Music Director of the Boston Pops Orchestra for 14 highly successful seasons from 1980 to 1993. He still holds the title of Laureate Conductor of that famed ensemble, as well as that of Artist in Residence at Tanglewood. As a guest conductor, he appears regularly with many of the world’s most renowned orchestras.
In 2004, Williams was a recipient of the prestigious Kennedy Center Honor.
Chris
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#26 18.04.2008, 19:07
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PABLO HELMAN (Visual Effects Supervisor) is a native of Buenos Aires who joined Industrial Light & Magic in 1996 as the Sabre Department Supervisor. Prior to joining the company, he was a compositing supervisor on “Independence Day” for Pacific Ocean Post, a digital compositor on “Apollo 13” and “Strange Days” for Digital Domain, and a Quantel Domino compositor on numerous projects for Digital Magic.
Helman received a Masters of Arts in Education from Cal Poly Pomona, and a Bachelor of Arts degree in Music Composition from UCLA. He was nominated for an Academy Award® for Best Visual Effects for Star Wars: Episode II - “Attack of the Clones.” He was also nominated for “War of the Worlds” and won a Visual Effects Society Award for Best Single Visual Effects of the Year for the same film.
On the latest installment of the Indiana Jones franchise, Helman served not only as Visual Effects Supervisor but is also credited as Aerial Director, Brazil/Argentina Second Unit.
    Additionally, he served as visual effects supervisor on “The Pledge,” “Star Wars: Episode One - The Phantom Menace,” “Terminator 3: Rise of the Machines,” “Master and Commander: The Far Side of the World,” “The Chronicles of Riddick, “The Bourne Supremacy,” “Midnight in the Garden of Good & Evil,” “Jarhead,” “Munich” and “The Spiderwick Chronicles.”

BEN BURTT (Sound Designer) was the sound designer and supervising sound editor of all six films in the “Star Wars” saga, including the Special Editions of "A New Hope," "The Empire Strikes Back" and "Return of the Jedi." An accomplished filmmaker, Burtt has written, directed and served as film editor on a vast array of projects in the three decades since “Star Wars” was originally released. Among his many credits are the upcoming Disney-Pixar film “Wall-E,” “Willow,” “E.T. The Extra-Terrestrial,” “Alien,” “Munich,” “The Dark Crystal,” “Howard the Duck,” “More American Graffiti” and “Invasion of the Body Snatchers" — in addition to all three "Indiana Jones" movies. He also was sound designer on such IMAX films as “Blue Planet,” “Alamo: The Price of Freedom,” “Niagara: Miracles, Myths and Magic” and “The Dream is Alive.” Additionally, Burtt was editor on the three "Star Wars" prequel films.
Television work includes serving as second-unit director on several episodes of “The Young Indiana Jones Chronicles,” and as writer on “The Adventures of Mungo Baobab,” “The Great Heep,” and writer/director of “Young Indiana Jones and the Attack of the Hawkmen.”
Among his directorial credits are: "Blue Planet", "Destiny in Space," “The American Gangster,” “The True Story of Glory Continues” and “In the Footsteps of Fremont.” He recently directed and provided the sound design for “Manassas: End of the Innocence” for the National Park Service. He served as film editor on “Alamo, The Price of Freedom” and “The Living Seas" at the EPCOT theme park in Florida, and provided the sound design and special sound effects for “Wellington’s Victory.”
Burtt was nominated for an Oscar® and a BAFTA Award for Best Sound Effects Editing for “Star Wars: Episode I — The Phantom Menace," "Return of the Jedi" and for “Willow.” Burtt picked up another Oscar® nomination for Best Documentary Short Subject, for writing, directing and serving as picture editor on “Special Effects: Anything Can Happen.”
He won an Oscar® for his Sound Effects Editing for "Indiana Jones and the Last Crusade," “E.T. The Extra-Terrestrial” and both an Academy Award® and a Golden Reel Award for “Raiders of the Lost Ark.” In addition, he won a BAFTA award for Best Sound for “The Empire Strikes Back” and a Special Achievement Oscar® for “Alien,” Creature and Robot Voice Creation.
Chris
Der Rauchende Spiegel
 

#27 18.04.2008, 19:09
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Betreff: Re: Indy 4 Pressemap (SPOILER)
Und der Gag: Wenn ihr das alles tapfer 3 tage lang gelesen habt, habt ihr hier den Link wo ihr das als Word-Datei downloadn könnt. Lachender Smiley
Chris
Der Rauchende Spiegel
 

#28 18.04.2008, 19:30
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Betreff: Re: Indy 4 Pressemap (SPOILER)
Erstaunter Smiley Uff
Danke 5IC !
Wenn ich mal wieder net schlafen kann ist das die Bettlektüre Zwinkernder Smiley
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#29 18.04.2008, 19:31
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Betreff: Re: Indy 4 Pressemap (SPOILER)
Naja ich würde mal sagen 80% davon ist blabla. Wer halt die schauspieler und die crew sind etc. Aber die ersten Abschnitte sidn interessant.
Chris
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